Although plug-in automation has been available for quite a while in Samplitude, it only applied to third-party plug-ins. The philosophy behind these last two major additions would seem obviously to be to make Samplitude 10 as self-contained as possible, encompassing all processes from initial recording or programming to final mastering.
The answer seems to be to offer a number of enhancements to existing capabilities, including MIDI/VST(i) features, routing, hardware control and better 'smart' dithering options, plus a number of new functions in the 'useful but minor' category, and on top of that, two humdinger new elements: Samplitude 10 features excellent automation functions which make creative and professional results much easier to achieve, and benefits from one superb new mastering plug-in. As it is, in the box, and as it says on the box, it will enable you to record, edit and mix your music to a professional level." So how much more could be made possible in the newest version? What could be done to tempt new customers to Samplitude 10, and to persuade existing users to cough up £201 for the upgrade? What do you add to the DAW that has everything? In the case of Samplitude 10, a complex new mastering compressor and some excellent automation features are among the highlights.Īt the end of my review of the previous incarnation of Samplitude (version 9, SOS Janary 2007) I said: "I'm not really sure how you can go wrong with this new edition of Samplitude.
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